Tag: gaming

Professor Layton – This Article Reminds Me of A Puzzle

Posted on by in Gaming

Anyone who knows me knows that I am a massive fan of the Professor Layton games. As a kid, I was always (and still am) a major nerd when it comes to puzzles. Logic puzzles, riddles, you name it. So, when wandering through a game store, looking for something to spend my birthday money on, I spotted Professor Layton and the Curious Village. I read the back, saw the word “puzzles” and was instantly excited – running over to my mum and showing her with a massive grin on my face.

The puzzles, the story, the characters and the music are all a part of what makes this series so impactful to people like me. It reminds me of Agatha Christie, just with a bit less murder and trauma (though Miracle Mask STILL MAKES ME CRY). It was a passion I shared with one of my closest friends, Olivia. We used to sit and watch the cutscenes during lunchtimes, chat about the characters and share inside jokes that others had no clue about. To this day, we still share the occasional meme about it.

To this day I still frequently come back and play through the games again. It’s interesting to see which puzzles I find easier now that I’m older. For example, I’m a lot better at sliding block puzzles nowadays than I was as a kid – I cannot tell you how high the move counter was back when I was eleven, mainly because I think it stopped when you got to 999. I’m still horrific at visualising what a cube should look like when you fold up the given net but that’s why we have walkthroughs.

My brain cannot cope with these types of puzzles

The Layton games take a lesson from the Star Wars films, where the first three games are not canonically the first in the timeline. Once the creators realised the popularity of the games and the loyalty of it’s fanbase, they created the prequel trilogy which delved into the past of the character’s, explaining how Luke and Layton met, what Layton’s past was like and introducing fan favourite Emmy (aka my ninja wife). Each of the six main games are brilliantly written, with emotional interactions and dramatic twists throughout, all pieced together by the brilliant mind of gaming’s favourite gentleman.

Here’s a CaitlinRC synopsis of each of the games, in canonical order:

  1. Spectre’s Call – Introduces Emmy, you get to meet Luke in the days before his time with Layton – features sadness, soul resounding music, rooftop jumping crows, corrupt police, a whole lot of mist, Emmy’s quest for sweets and giant over the top mechanical creations (LOOKING AT YOU DESCOLE)
  • Miracle Mask – A more Layton focused game, we switch between his teen years with his best friend and the present day – with carnival shenanigans, Luke on a feisty donkey, EMOTIONS, the robot revolution, a terrible storybook, the blame game, Indiana Jones but cooler and child endangerment.
  • Azran Legacy – Ties up many of the loose ends in the series, with a world travelling adventure with our favourite envoy of ancient civilisations Aurora who just needs LOVE AND HUGS OK. Probably the most emotional of all the games – with BETRAYAL, the most dramatic egg hunt ever, terrible parenting, A VERY TRAUMATIC FINALE, bridal vanishing acts, Duck Layton and snowmen.
  • Curious Village – Probably the hardest game in terms of puzzles but also very heart warming. You meet Don Paolo aka Oh God Its Him Again and get to spend time with sweetheart Flora, featuring – cat chasing, Tetris Hotel Edition, WHY DOES THIS VILLAGE HAVE A DRAWBRIDGE, angry Ferris wheels, far too many chess puzzles, sewer exploration and Layton having the most dramatic escapes ever.
  • Pandora’s Box – Probably the oddest out of the games, considering some of the twists and turns but still an intriguing story and good moments of suspense, following the myth of Pandora’s Box and trying to uncover what its true nature is. Featuring – angsty vampire grandad, the weirdest train ride ever, disturbing disguises, treasure hunting, THAT HAMSTER, Layton being a badass, a very odd baby and dramatic revelations over tea.
  • Lost Future – Time travelling hijinks, future versions of themselves and a whole lot of emotional upheaval. Thrown into Future London, Layton and Luke try to track down the missing prime minister and scientists, whilst avoiding the eye of “Evil Layton”. Featuring – furious rabbits, far too many stairs, STOP HURTING LAYTON HE DESERVES HAPPINESS GODDAMIT, angry youths, the destruction of London, ridiculous massive robots like what the hell where did you get all the resources for it and crying in a river.
Why are Layton villains always so extra?

There are also three additional games in the Layton universe, that take place separately – Professor Layton vs Phoenix Wright, Layton Brothers Mystery Room and Layton’s Mystery Journey. There is also a feature film based around Layton which is genuinely good (surprising I know) called Professor Layton and The Eternal Diva. Layton vs Phoenix follows an intriguing story with courtroom segments and puzzle segments whilst Mystery Room is a series of condensed cases in a more “investigative style” following Layton’s son Alfendi and his … strange alter ego. Meanwhile, Mystery Journey follows Layton’s daughter Katrielle, who is searching for her father through establishing a detective agency and solving cases.

Although the games have not yet been ported from the DS/3DS consoles, a few of them are available on mobile – which you should give a shot if you haven’t experienced the series before. Mystery Room is a good starting point, it gives off a Sherlock Holmes vibe whilst staying true to the Layton narrative. Plus, the first few cases are free so if you don’t like it, then your bank account doesn’t need to worry!

A well-designed game series is one you can come back to and enjoy it more each time you play it. I’ve played through all the games more times that I can count but manage to discover something new every single time. Whether its character dialogue providing subtle hints to future events or quiet references to past games, it is clear how much love and care the developers put into these games. Every puzzle, every spoken line, every chord of the music, it is all given the attention it deserves to make these games shine. (Though Layton’s appearance in PL vs PW is a tad unsettling)

Note to self: Don’t stand between Layton and the truth.

I can’t exactly explain why, but the Layton games have always brought a sense of calm and peace to me, even when my anxiety is running rampant. I often listen to the soundtracks to cope with my panic attacks, focusing on the music and the memories it evokes in order to slow my heartbeat and breathing back to a normal pace. I’ve built up an association between the series and my happy memories, to the point where I know even talking about the games can put a smile on my face.

We should aspire for our lives to have a positive impact. Be it through spreading a message, raising awareness or just bringing joy to people, if your work can make the world around you a better place then you have lived life to the fullest. Humans are inherently social and cooperative creatures, forming unbreakable bonds with friends and family members, sharing experiences be they good or bad. For me, the Layton games have been that source of light. It’s something I can share with my friend. It’s given me so many good memories and provided me with a coping mechanism for the anxiety I’ve fought all my life.

I could ramble on for hours about these games, but I think you should experience them for yourselves. Try any of them and let me know what you think of them, as well as any games you would like me to talk about in a future article! Now, if you’ll excuse me, I’m going to go watch the cutscenes from Miracle Mask and cry like the grown adult I am.

If you play any of the Layton games, play this one.

Be sure to like, comment and follow the site for updates on all future content 😊

See you soon,

CaitlinRC (@OurMindGames)

Minecraft – A Far Bigger Part Of My Teenage Years Than I Care To Admit:

Posted on by in Gaming

It’s weird to think that Minecraft is over ten years old now. Even weirder to think about how I started playing the game about six or seven years ago. Up until that point, the only games I had played on the computer were flash games on websites such as Newgrounds or Friv. I have many fond memories of eating lunch as quickly as possible and then racing my friends back to the classroom, just so we could play Fireboy and Watergirl together. So, when my friend ran up and showed me the game, I was immediately hooked.

I spent several months just repeatedly playing the demo version of the game, as I didn’t have any way of purchasing the account myself (after all, I didn’t have a debit card or anything at the time). Eventually, I sidled up to my parents around Christmas time and showed them the demo of the game, expressing my interest in a way that was hardly subtle. I’m relatively sure my parents did a full look into it but on Christmas Day, my dad built the word “Minecraft” out of Lego’s and put it under the tree for me, though it did take me a minute to figure out what it meant (because come on, whose brain works at 7:30 in the morning).

I logged onto the game the other day and was immediately killed by a polar bear. WHEN DID WE GET POLAR BEARS?

Roughly three years of my life were spent playing Minecraft in my spare time, from playing online with new friends that I’d made or just messing around in survival. I found YouTubers who had a dedicated following for their Minecraft content, and I joined a community that although I am no longer a part of it, still had a big impact on me. In fact, some of my closest friends came from those communities and my online pseudo name harkens back to those times (looking at you RC crew).

At the time, I wasn’t sure why the game appealed to me so much. Sure, it was kind of like “living Lego” and as a kid, I loved building and creating my own structures – to this day we still have a box of Lego in the house. However, now that I’m older and wiser (probably), I can see all too clearly why the game became such a refuge for me. It made sense. It had rules. There were specific ways to craft the items you needed, a process to follow to achieve your goals. The real world didn’t have that.

We all fear that we will make the wrong choices in life. That the words we choose to express ourselves aren’t the right ones, that our decisions will always hurt someone no matter how hard we try not to. For some of us, this manifests in conditions such as anxiety. For as long as I can remember, the sheer volume of information and potential outcomes of situations has overwhelmed me. I’m terrified of missing a key piece of information, of selecting the wrong path.

So, a game where I control each aspect of the world, from the structures I create to the tools that I craft, is calming. I always know what the outcome will be, there are no unknowns to fear. No matter what enemy I come across or new environment they add, there are set rules and algorithms that I can follow to ensure my success.

Even the Nether makes sense once you get used to it (and don’t put down any beds!)

I know that concept must be confusing to some people but I’m also aware, that a few of you reading this can relate. Most of you probably think this rule bound and mathematical approach is taking the fun out of a lot of what makes Minecraft special, but it adds to it. Think about it. At our core, we are simply made up of atoms. These atoms combine to form elements, which are the building blocks of the universe. Everything we see in the world around us, is built from these simple particles, following the specific rules of creation.

The insane creativity of the community is what I believe has kept this game so popular, for so long. From designing your own texture packs to insane mods to custom made adventure maps, the game provides players with all the tools to basically reinvent the world. I remember spending countless hours building the perfect home from scratch in the game, collecting every resource possible and perfecting my simple abode with my limited artistic repertoire. Meanwhile, you look around and see scale models of Buckingham Palace; working recreations of games such as Space Invaders and even the game being used to teach kids how to code.

Even if the game isn’t your cup of tea, you can’t deny the impact that it has had on the world. Sure, the creator is… problematic to say the least, but the reach of the small sandbox game he released ten years ago, is phenomenal. People use it to test machine learning algorithms, to teach economics, to learn about programming, to encourage people to go into architecture and more. When I was a kid, Lego was my main form of creativity and I adored it. Sure, Lego is still massively popular today, but it feels that Minecraft is the right step for kids to move onto to encourage their self-improvement when they feel they are “too old” for Lego. (Spoiler Alert: You’re never too old for Lego)

I’ve taught kids how to code using Minecraft and they’ve loved it. Never deny the power of games to help kids learn.

Apologies that this piece seemed a bit more scatter-brained than usual, I’ve just finished exam season myself and there is a lot going on personally. Plus, this idea came to me at 3AM the other day so it’s slightly hard to format thoughts when you’re having a staring contest with the seagull outside your window (Cardiff problems). I’d love to write more pieces about the game’s you guys know and love, so leave your suggestions in the comments!

Much love,

CaitlinRC.

Detroit Become Human – Robot Revolutions:

Posted on by in Gaming

For those of you that know me, you’ll be aware that I am a computer science student studying at university at the time I am writing this. For the past six years of my life, the computing industry and more specifically, Artificial Intelligence, has been a key interest of mine – touching my literary interests, my career ambitions and even my choice of video games. Obviously, I am nowhere near an expert, but I always enter games based on computational theories or methods, with a sceptical mind. This means that hacking minigames or games based in future dystopias containing robots, tend to turn my head and not always in a good way.

So, where do I come down on Detroit Become Human? Well, David Cage games and I have never really gotten on, especially considering the portrayal of their female characters – such as Maddison from Heavy Rain being limited to be a romantic interest to protagonist Ethan or attempting to force Jodie into several relationships in Beyond Two Souls. So, walking into Detroit Become Human, I was worried, to say the least.

Androids are always a … interesting topic for games to focus on.

DBH follows a similar formula to other David Cage games, in that your decisions and responses to quick time events, have a significant effect on the fate of your characters. You follow three different androids as their stories unfold and intersect with one another, with whether they survive to enjoy a happy ending being entirely dependent on your unique choices. Out of the three characters, I feel that only one of them really is worth following the story of – that being Kara.

Kara is an android owned by deadbeat dad Todd and is responsible for looking after the house and Todd’s daughter Alice. Almost immediately after the game begins, Todd’s abusive behaviour towards both Kara and Alice, causes Kara to break from her programming and flee into the night with Alice in tow, protecting the little girl from her father’s abuse – potentially killing him in the process, depending on your choices. The entirety of her character arc, is mostly about learning to be free, protecting this little girl and trying to escape the society that wishes to scrap her for parts. It is eventually revealed that Alice is also a robot but your attachment to this little one is not affected by this revelation, in fact, considering how this version of America treats androids, you want to protect her even more.

Kara’s story makes you think about the ethics of Artificial Intelligence – a subject that has been highly debated since the topic was founded. Kara and Alice clearly care deeply for one another, with Kara putting herself in danger to protect the young android, showing she is capable of love and affection and fear and bravery, raising the question about whether she deserves to be free to live her life, just like any living, breathing creature on the planet. In the ending I got, Kara and Alice manage to escape to Canada alongside their friend Luther, to live their lives without the fear that followed you for the entirety of her parts of the game.

These two genuinely care for each other and it shows from the very first level.

Then you have Connor. Connor is a detective unit of android, designed to assist with the investigation of crimes and works alongside a human who thoroughly dislikes androids, who can slowly become more than just a “android created by Cyberlife” or can work to oppress his own people and ensure the androids never get the freedom that they are fighting for. Connor’s story can be sweet, his buddy cop relationship with Hank and slowly becoming more “human” is a joy to see but it doesn’t have the same emotional connection as Kara and Alice do, so it does have the better moral dilemmas such as allowing fugitives to escape or refusing to execute another android just to gain information that could help a case.

Finally, we come to Markus. He starts out as an assistance android to an old painter, who treats him kindly and they get along very well. However, disaster strikes in the form of the painter’s douche of a son whose actions cause his father to have a heart attack and blames it on Markus, resulting in him being destroyed and thrown onto the scrap heap. He survives, reassembles himself and goes on to become the leader of the revolution for android freedom. His choices can affect whether Kara escapes to Canada successfully or whether hundreds of civilians and androids die in the explosion of a dirty bomb. This use of a “minorities struggle” is where my problem with Detroit Become Human lies.

I love storytelling games, but the writer of Markus’s storyline is attempting to shove in a narrative about the fight for equality, be that in women’s rights, LGBT+ rights or the struggle that minority groups go through every day just to have something “edgy” to put on the back of the box. Normally, I’d support games that raise awareness of these issues, but this storyline doesn’t feel genuine. It feels forced in by a writer who clearly has never truly struggled in life or experienced true oppression, like so many communities in our world fight against. It cheapens the effect of this so-called “fight for freedom”, feeling more like a story gimmick than a genuine message about equality or freedom.

Oppression isn’t always obvious, it’s subtle. It comes across in the tone of someone’s voice or the subtle body language of the people you walk past on the street. It doesn’t wander around with a giant neon sign saying LOOK AT ME! We shouldn’t be taking such a critical issue such as minority group’s struggle against racism, oppression and prejudice, and turning it into a quick plot point in a video game. They. Deserve. Better.

The civil rights movement and other campaigns for equality such as Black Lives Matter, share very little except the aesthetic of “fighting for equality” with DBH. The only way the androids receive their freedom is by choosing peaceful solutions at every turn, even if it means watching as your fellow androids are gunned down for protesting peacefully. The fight for equal rights is not just about peace, it’s about people being willing to die for what they believe in such as Emily Davison diving in front of the king’s horse and becoming a martyr for the suffragette cause. David Cage claimed this game was not meant to be a political statement, meaning that the resulting storyline seems so much more shallow and makes the impact of the stories told in the game, seem worth so much less.

This scene is so emotional and this moment is well done, just a shame it was a small glimmer of good in a pile of mediocre.

In conclusion, I feel that DBH had real potential. Even the portrayal of artificial intelligence made sense in the context, though was not entirely accurate (I’ll let them off, it is a video game after all). However, the storylines they chose to follow let down their entire premise, seemingly jumping on a bandwagon of including revolutions and fights for equality in media, instead of following its own unique blend of storytelling and the consequences of our actions. Maybe next time get writers who have experienced those events, to tell the story, instead of doing it yourself Cage.

Sorry if I seem a bit harsh this week, I thought I’d go for a more realistic approach to a game that I did have hope for. Can’t always be nice after all.

Thanks,

CaitlinRC.

Spiderman – The Freeing Nature of Superhero Video Games:

Posted on by in Gaming

Everyone at some point in their life has dreamed of being a superhero. This fantasy of ours tends to manifest in moments of fear or despair – where we have no control over the situation we face and are helpless. Therefore, we dream of a situation where we can do the impossible and stop others from ever experiencing that sense of helplessness that we had to live through. Be it flying, visions or super strength, we’ve always lived in awe of superheroes – no matter how dark some of their actions can be (looking at you, Batman).

I grew up on superhero movies and have had a steadfast obsession with mythology (I’ll talk more about that when I cover God of War), so tales of people doing the impossible have always fascinated me. Out of all the superheroes, Spiderman was one of the most interesting to me. Putting aside the overplayed origin story – Uncle Ben, bitten by a spider, endless on and off again relationship with MJ etc, he has always been more appealing to my generation, partly due to the fact he is still in education in most of the stories surrounding him and partly due to his abilities. The reflexes alone would make sure you never dropped a plate again!

All hail Spider Man, our web swinging hero.

When they announced Spiderman for the PS4, I was both ridiculously excited and terrified. There hadn’t really been a good game about our web-slinging hero for a long time, with Spiderman 2 released in 2004 is called the only “good” Spiderman game. For a Spiderman game to be deemed good by both fans and critics, it must nail three different elements – web-slinging, combat and personality. He’s a funny guy, being able to mock his enemies with sharp quips in the middle of a battle – even whilst hurling them across a room.

So, first things first, is the web swinging good? The answer to that is a solid yes. About thirty seconds into the opening of the game, you immediately start swinging through Manhattan, watching with awe as our masked hero flips and twirls effortlessly through the air, changing direction and increasing speed in immediate response to your input as the player. Unlike a lot of games, that restrict your powers to specific scenarios or only enable you to climb specific rocks (looking at you Horizon Zero Dawn), the web swinging is your main mode of getting around the city. Yes, you can unlock fast travel to the different police precincts and key locations in the world, but you rarely want to. If I know anything about video games, if you are rarely wanting to use fast travel to get from mission to mission, then you have done something right as a developer.

Swinging across the city is the most satisfying thing possible. It’s slightly addictive if I’m honest.

Next up, combat. Spiderman as a superhero isn’t what you’d call a “head-on” fighter. His insane agility and reflexes enable him to dodge smoothly past the flying fists of his enemies and strike before they are sure what hit them. The developers at Insomniac Games have done an incredible job of incorporating the verticality aspect of Spiderman’s combat – after all, if you can swing on a web at high speed, why not be able to boot an enemy combatant off a building? You can swing in and out of combat at any time, launch yourself off walls and hurl basically anything that isn’t tied down at your enemies (including other enemies).

Then there are the gadgets. Spiderman is most well known for designing his own gadgets – from web bombs to drones to electric webs, the game doesn’t hold back in providing you with endless tools to add to your combat repertoire. It even encourages you to experiment with different combinations, as seen in the endless challenges presented to you by the infuriating Screwball, some of which restrict you to only using two or three gadgets to take out waves of enemies. For example, if you manage to electric web several enemies and then throw a web bomb at them, you can catapult a handful of them into the wall, effectively removing them from combat.

I wanted to beat up Screwball more than any of the enemies I faced during the game’s campaign.

Last but by no means least, the personality of the game and it’s characters. There is a tendency with voice acted games, for some of the character’s to not have as much “life” in them as we’d expect from a living breathing world. Yet, Spiderman takes the well-known humour of the web slinger and cranks it up to eleven, with hundreds of quips and sarcastic comebacks delivered with phenomenal comedic timing. The characters feel real, their relationships and emotions clear both in the voice acting and in the animation of their character models.

The city of Manhattan reacts to the events unfolding within it and the running commentary from J. Jonah Jameson provides a slightly different tone of humour to the game – the well-known Spiderman hater occasionally making a valid point about the state of the city they live in, alongside his ridiculous claims that Spiderman is eating pigeons. Also, as a big fan of the comics and older movies, it’s nice to see the occasional nod and reference to past instalments in the franchise, without restricting access to new players who have no idea about the rich lore of the Spiderman universe.

Jonah is one of the most well known characters in Spiderman, though we don’t always take him too seriously.

Despite a game with a focus on combat and the occasional stealth segment (if you don’t take the approach that I do and try to stealth web everyone to the wall), Spiderman is a relaxing game to play. It’s not a majorly long game, with the campaign taking about 20 hours, but I invested about 60 hours into the game – completing side quests, collecting the various tokens scattered around the city and stopping every crime possible.

I’m a bit of a completionist personally, striving to get that 100% on my save file and the ping of the achievement for collecting every little item possible. However, I rarely replay games immediately after finishing them. Normally, I wait a few months till I’m in the mood for the game again. With Spiderman, the moment I unlocked the game’s “impossible” difficultly, I launched a new save file, determined to conquer it once more and get every single possible achievement. When the DLC’s were released, I came back to the game again, seeking more story and enjoying settling back into the world that by this point, I knew inside out.

Any game that can evoke such a sense of replayability and continued enjoyment, even after completing basically everything it has to offer, holds a soft spot in my heart. It’s honestly one of my favourite games ever made and was my game of 2018 – beating even Red Dead 2 (sorry cowboys). If you haven’t given it a try or picked it up but never got into it as deeply as you could’ve, give it another look. The DLC’s are well worth it and even if you have already finished the story, go try out some of the new suits – which range from gorgeous to terrifying.

Till next week,

CaitlinRC.

Dishonored – The Temptation Of The Outsider

Posted on by in Gaming

The Dishonored series has always been of intrigue to me. It was the first series that I watched a full let’s play of on YouTube and a game world that fascinated me. I spent countless hours digging through the lore and dialogue, searching for answers and a deeper understanding of the events that occurred in the game. However, the concept of Dishonored is a bit hard to explain – especially considering its success and sequels, as well as the countless DLC’s.

In my mind, Dishonored is the result of locking Telltale, Assassins Creed, Hitman and Thief in a lift and refusing to let them out until they produced a profitable game idea. It is a perfect blend of assassination, stealth, chaos (looking at players like Mike Channell from OutsideXbox) and the consequences of player’s actions. It is these “consequences” that we will be focusing on in this article.

Every decision we make in our day to day lives has an impact on the world around us. For those familiar with mathematics, Life Is Strange or Until Dawn – the concept of Chaos Theory tends to be what springs to mind when a game warns us about our actions having consequences. It is a concept that tends to be beaten within an inch of its life in most forms of media, but some games do handle it quite delicately and Dishonored is one of these.

Until Dawn is a famous example of the use of Chaos Theory in video games.

In Dishonored, you are provided with special powers from the Outsider, who observes your actions through the world and judges you. He provides you with the means to bring the world around you to its knees, to bathe the streets with blood – or to silently slip past unknowing citizens, working in the shadows to achieve your goal without a drop of blood spilt. Kingdoms will prosper or collapse based on your decisions – will you let the rats consume the city in your quest for vengeance?

Depending on your actions during a level, you are assigned a chaos level. This is given a value of either High or Low, with the previous level’s chaos factoring into the contents of the next level. For example, if you use your powers to murder many guards in several horrific ways (looking at you Devouring Swarm), then there will be more guards, more rats and more Weepers – making your next mission more difficult.

The ending you receive at the game’s climax is also decided by the total chaos you caused throughout the game. This chaos level is deemed by your choices throughout the game, for example, if you take the non-lethal route of dispatching your targets – such as wiping their memories or sending them to work in their own silver mines as slaves (I didn’t say the non-lethal options were better), then you will receive a lower chaos level than if you blew them up with a whale oil tank.

The Outsider – some argue that he is the villain, the enabler of chaos. However, he is just an observer. Watching you.

A big flaw in a lot of games that claim to be influenced by player choice is that it limits the player to two or three linear pathways that they can choose from. So, gamers tend to be stuck on one specific route for the entirety of the game, such as a “Good” or “Evil” run. Now, this would be ok, if all the enemies you came across were clearly evil. Then, you wouldn’t feel a great deal of guilt or remorse when you sliced your knife through their neck. However, some of the people you come across are just guards doing their jobs or plague survivors trying to make it through the day. Do they deserve to die?

For those of you who aren’t familiar with the plot of the Dishonored games, let me explain. In the first game, Corvo (you) is falsely imprisoned for the murder of the empress and the kidnapping of her daughter, Emily (who is eventually confirmed to be his daughter). You are sentenced to death but are broken out of prison by some people still loyal to you. You then proceed on a journey to find Emily and get your revenge against those who caused your downfall.

The second game sees Emily on the throne and deposed by a witch called Delilah, who turns either Emily or Corvo to stone (depending on who the player chooses to play as) and the remaining character goes on a journey to find those responsible for the coup and reclaim the throne. You as Corvo or Emily, have been Dishonored (roll credits) and seek to right the wrong against you. However, how you go about this is entirely up to you.

Dishonored 2 lets you choose between the young Empress or her father (the protagonist from the first game).

The chaos system in Dishonored is often considered a “punishment” to players, with many complaining about it restricting their gameplay options. However, this is not true. The Outsider acts like the Devil but instead of convincing Adam and Eve to eat an apple, he gives you the means to bend the world to your will – a tempting offer, especially considering how quickly situations can go awry. Yet as a player, you do not have to choose the evil path. In the second game, you don’t even have to accept the Outsider’s Mark and can play the entire game without any supernatural hijinks.

Throughout the game, you are offered opportunity after opportunity to take the easier, but the lethal route, yet there is always another path. Players who fall to the temptation, only have themselves to blame for the poor ending they get. As gamers, we have become accustomed to violence being the only route through a story, with games providing us with various weapons to mow down the countless enemies without batting an eye. Dishonored challenges this idea, actively rewarding or punishing you dependent on your actions.

That sweet little girl Emily you rescue from The Golden Cat? How she rules over her kingdom at the end of the first game, is strongly influenced by how you dispatch your enemies. If you use diplomacy and only kill when necessary, Emily will learn wisdom and insight. However, if you butcher all those who stand in your way – she will use whatever means necessary to get what she wants, becoming a ruthless dictator over innocent people. You are the catalyst that sparks the change in the game world, be that for good or evil. Dishonored gives you nowhere to hide from your actions and for that I adore it.

Emily Kaldwin – Who will she become?

After all, your actions in the real world have long-reaching consequences. If you commit a crime, you are punished for it. When you inflict pain upon others, society will judge you accordingly. As much as we tend to go to games for escapism, I don’t think we should be entirely free of consequences – an idea that the Dishonored series tackles head-on. The choices we make affect the world around us as well as our loved ones and our own psyche. Throughout the games, you can morph Corvo and Emily from being a wronged individual just seeking to reclaim what is rightfully theirs, to a horrific creature who tore through hundreds of innocents for no real reason other than bloodlust.

Anyways, that’s the Dishonored series for you. It hands you a knife and lets you decide what you use it for. What did you do? What other games would you like me to talk about? Leave feedback in the comments section, hit that follow button and follow me on Twitter @OurMindGames for all the updates!

Thanks,

CaitlinRC