Once in a blue moon, I’ll find a game that grabs ahold of me and doesn’t let go, regardless of how many hours I’ve poured into it. No game that falls under this special category is ever the same. Which makes sense, after all, we’ve talked about how our experiences are unique on this site before. How I view one game will be completely different to how you, dear reader, will see it. Different characters and their experiences will resonate with me than with you, as our personal history latches onto these plot threads and forms connections. One such game that has captured my attention over the last six months, is Hollow Knight.
Released back in early 2017 by Team Cherry, Hollow Knight took the indie world by storm, with its charming 2D graphics, enchanting worldbuilding, creative mechanics and challenging combat. Falling under the category of “metroidvania”, I was hesitant going into it as I’ve always been a bit crap at those types of games which affects my enjoyment of the game as a whole. However, Hollow Knight surprised me and kept me intrigued from the opening sequence, forcing me to “get good” and push through challenging fights, knowing what was on the other side would be worth the struggle it took to get there.
You play as the Knight, a feisty little being armed with a nail and a can-do attitude. For reasons unknown to the player at the start, the Knight has found their way to the kingdom of Hallownest, a once vibrant kingdom that has fallen into ruin due to an infection that consumes the minds of those afflicted. The Knight journeys through Hallownest, exploring and combating the dangers of the underground ruins, searching for the truth of what happened and gaining new abilities along the way. Shortly after meeting Hornet, another individual (and the player character of the upcoming sequel Silksong!) who warns the Knight away from their chosen path, the Knight is faced with three spectral creatures – known as the Dreamers.
These three, known as Monomon the Teacher, Lurien the Watcher and Herrah the Beast have been put in a permanent dream state to act as seals on the titular Hollow Knight’s cage – within whom the source of the infection was supposedly sealed all that time ago. Needless to say, it wasn’t a permanent solution since the majority of the world tries to kill you and the evil orange juice that seeps from the forms it inhabits is literally everywhere. So, it’s up to the Knight to venture across the kingdom, wake the dreamers, fight the monsters, and cleanse the infection from the original Hollow Knight in order to save the world. Simple, right? Well… about that.
The lore of Hollow Knight is a classic example of the iceberg theory used by storytellers, where only a small percentage of the plot is stated outright and visible for the player to discover on a casual playthrough. Piecing together referenced events from character lines, journal entries and world design leads to yet more questions – something that I, as an endlessly curious individual, absolutely loved. To beat the game normally and never touch the game again would be a massive disservice to the tale that the developers at Team Cherry have woven. There are loads of bosses, collectables, lore tidbits, endings, and paths to follow that you simply cannot cover in a single playthrough. Heck, I’m on my fourth playthrough and still haven’t found everything that I’ve seen others come across in their playthroughs.
The combat is not inherently complicated, it very much follows the tried and tested method of hit the thing till it dies, though some of the bosses could just sit on you and it’d be over faster than you could say “Yikes”. You have a nail (for stabbing), three magic spells (for blasting) and charms that can buff these to a ridiculous level. Like seriously, long nail and mark of pride means I can have a weapon that’s bigger than like two of my character. Overcompensating a bit there, little Knight? Combining charms are the way to victory in Hollow Knight, with some boss fights tailoring themselves towards Area of Effect spells and others just needing a good stabbing to cut them down to size. Or, if you’re really fed up with the fight, just cling to the top corner of the arena and let your minions whittle away at the enemies health. Not that I’ve done that. No siree.
Plus, there’s always something satisfying about toppling bosses and conquering difficult fights. It’s why games similar to Bloodborne and Dark Souls remain so dominant in the gaming industry – people enjoy a challenge. What I personally think Hollow Knight does better than those games, is it allows you to adjust your fighting style on the fly. There’s no committing to a fighting type at the character creation screen or balancing stats during levelling or having to restart from zero if you decide a style isn’t for you. Instead, you just take off a charm and add another. We all have our preferred play styles of course but Hollow Knight rewards you for being creative, after all, whether you kill the boss with the sheer power of spite or give the boss scurvy and wait for it to die of malnutrition, you win either way.
I want you all to play this game, to get the true ending, to get all 112% of progression ticked off a list and to be jointly outraged and amused by the chaotic memes that the community has come out with (looking at you Pale King memes). Plus, all the expansions with additional bosses are all free so… go punch Grimm in his stupid face and then immediately regret your choices. Go fight the gods of Hallownest and get absolutely stomped by the Pure Vessel. Try the Path of Pain and break your controller in blinding rage. Play ping pong with Zote’s stupid face and read all his precepts for success (seriously Zote has the most written dialogue in the game, and I hate him).
Anyways, that’s Hollow Knight, joining Spiderman, Octopath Traveller and the original Spyro trilogy as one of my favorite games.
Till next time,
CaitlinRC
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I do apologise for the heavier lean towards podcast episodes and tabletop RPG’s that this year has taken. Between the launch of Dice and Suffering, my frankly bonkers work schedule and trying to find a good balance between my endless personal projects, I haven’t had much time for much else. I love all my projects, so I’m not quite willing to let any of them go just yet, meaning I collectively spend less time on each in an attempt to ensure that I actually sleep at some point (madness, I know).
The support the podcast has been getting is phenomenal, the continual support of MindGames as an entity has been heartwarming and the enthusiasm for my YouTube compilations makes me smile – especially all of your snarky comments.
Regardless! Next week will be the final episode of Into The Waste that we recorded before I decided to put that D&D campaign on indefinite hiatus. I am starting a new world and you’ll get to see that in all it’s chaotic glory in a few months but I thought I’d wrap up the episode I have left in my files and clear the way for a whole new world (cue Aladdin music). Then we’ve got season 2 of Blades In The Dark / The Black Lotus Gambit which is four episodes in as I’m writing this and is shaping up to be a doozy.
If you’re interested in hearing me run my chaotic worlds of TTRPG madness, go look at Dice and suffering on any podcasting platform 😊
If you want to hear what kind of characters I play when someone else is the puppetmaster, I’m a permanent fixture in the Dungeons and Junkiez team over on Visionaries Global Media, where I play anything and everything – from wholesome to psychotic.
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